Episode 0: Happy New Year
EDIT: Posted the first video on YouTube.
https://www.youtube.com/watch?v=KE4PTZ0GeLQ
Hello, and welcome to Episode 0 of The Unstreamables. I’m probably the last person to start a podcast or YouTube channel. But here we are. I've been working on it for a few months now and I'm so excited to share it with you.
Before we get going I want to say, I'm learning, and I'm hoping we can grow this together...
Because, having spent a number of years in broadcasting, I have some outdated expectations formed by the corporate media landscape. In fact, I'm writing this as a script but after my first read, I went back and revised - It gave me the chance to experiment and adjust.
I'm taking this as an opportunity to try and learn and maybe I'll get some media training by trial and error and watching other folks... learn by doing.
What does “the unstreamables” mean?
The “Unstreamables” started as a term for media you can’t find on platforms like Spotify or Netflix. But it’s also about works that don’t conform—whether they’re too niche, too unpolished, or just not profitable enough to make the cut.
I like the name because it also sounds like a band—like The Replacements or The National. You can almost hear someone yelling, “Yo Brooklyn! We’re The Unstreamables!” There’s something punk rock about it—a celebration of the stuff that doesn’t fit neatly. More about Rhythm than Algo.
And the truth is, not everything belongs in a box—or a stream. My physical copy of a record isn’t the same as yours. They’re unique, tangible, and increasingly rare in a digital world. That’s worth celebrating.
For some background, I left most “social” platforms back in 2016—that was around the time of the Cambridge Analytica scandal. That’s when it became clear that these platforms had shifted from being social networks to social media and then becoming something entirely different: social manipulators - at scale.
What’s the difference?
Social networks were about connecting with people—friends, family, communities—with shared interests or causes. But social media turned those relationships into data points for advertising algorithms. Instead of fostering meaningful connections, these platforms began prioritizing engagement at any cost: sensationalism, outrage, and polarization.
This shift has been harmful to the greater culture. It’s not just that our personal data became a commodity; it’s that our attention and our emotions did, too. The things we love—like music, art, and film—have been reduced to content, stripped of their individuality to fit into algorithmic molds. What gets pushed to the top isn’t necessarily the best or most meaningful; it’s the stuff most likely to keep us scrolling.
That’s why I wanted to create The Unstreamables. We're trying to create a real social fabric... not just another "channel". A place where we can come together in celebrating the rare, the obscure, and the art that refuses to disappear.
How can I be a part of The Unstreamables?
This is the part where I unironically ask you to subscribe to our YouTube channel and sign up for The Unstreamables mailing list. The first 100 people to sign up become charter members and have the chance to help define what this will really be.
We want this to be a project we grow together—with feedback, rare finds, and even guest appearances from you.
Send us your suggestions, your stories, and photos of the treasures hiding on your shelves or in your closets. This isn’t just about what’s unstreamable; it’s about what’s unforgettable.
What’s next for The Unstreamables?
This is just the beginning. Our goal is to create something we build together—embracing collectors, composers, curators, and critics alike.
So, if this sounds like your kind of thing, here’s your call to action:
1. Subscribe to our YouTube channel.
3. Share your treasures with us—because the art that refuses to disappear deserves to be seen. Email as at unstreamables@gmail.com.
Let’s make this something unforgettable. Thanks for watching, and I’ll see you in the next episode.